A Review of the CD
"One Timeless Moment"
by James Gordon


"One Timeless Moment"
by James Gordon

Produced by Scott Merritt
copyright 20011999 - BCD141
Pipe Dream Publishing
Box 714
Guelph ON MTH 4A5 Canada
http://jamesgordon.cjb.net
mailto:gormorse@sentex.net

Borealis Recording Company
225 Sterling Road, Unit 19
Toronto, ON M6R 2B2 Canada
ph: (877)530-4288
http://www.borealisrecords.com
mailto:info@borealisrecords.com

This review is written by Kevin McCarthy, 5/02
"Kevin and Maxine’s Celtic & Folk Music CD Reviews"
http://www.kevindmccarthy.com/music/index.html
send me an email message

It starts with the initial note of the first cut. Electric guitar and driving percussion immediately kick in on "Dan McPhee." Wait a minute, there must be some sort of mixup. Okay, try the second selection,"The Old Troubador." The result: same electric guitar in the background and drums driving the rhythm. What's going on here?

Move to the third offering, "Michipicoten,"--a delicate, piano-backed tune. Ah, yes, now this is the James Gordon we have come to expect and enjoy.

How about "Virginia's Day," cut four? There's that electric guitar again, featured this time.

Well, the explanation is that James Gordon, while remaining a smoothly melodic tale-teller, has gone folk-edgy. He's expanded his repertoire by creating a new sound for himself and utilizing it on various cuts throughout his latest release, "One Timeless Moment."

Do not fret. This is not the blare of blazing guitar riffs that will send listeners scurrying for ear protectors. But it is enough to add a level of intensity and depth to the aforementioned songs that would be missing otherwise. Heck, on "Funny Old World," Gordon even appears to dip into a reggae and steel drum sound.

But, as always, there are the compelling stories.

A singer-songwriter meltdown occurs in "The Old Troubador." The performer in the title is simply tapped out as Gordon sings:

"...There was a quiver in his voice,
There was a trembling in his legs
In the heat of the spotlight
His pain spilled out on the stage
His song teetered on the wire
then it plunged to its death
The old troubador had nothing left..."
"Michipicoten" presents a magical moment and mystical journey, this one in a car traveling from Grand Marais to Agawa Bay:
"...Secrets were revealed to us,
though not a word was spoken,
All the way from Grand Marais,
the spell could not be broken
The light through the birches flickered like flames
And the wind through those trees whispered a name
With a voice we both had long ago forgotten
calling Michipicoten, Michopicoten
In that northern Superior night..."
With a harrowing depiction of mental illness in "Virginia's Day," Gordon opens with:
"A fistful of pills, that's how Virginia's day begins
She calls it her breakfast of champions
She doesn't like them, says they take a little off the top
They dull her senses, she wishes she could stop
But she knows if she did she'd go straight
To the bottom, pulled deep down by a weight
So heavy that she could never climb back..."
He does, however, close the tune on a more upbeat note.

Gordon also puts in various appearances along the relationship spectrum with "Unspoken," "Rapunzel," "Sing With Me," "Sunset Song" and "How Many Mistakes?"

"A Really Lousy Winter Day" deserves mention if for no other reason than the great opening line: "March came in like a cockroach, and it hung around for weeks..."

The verdict: this consummate professional has stretched his wings and we are the richer for it. Those familiar with his previous work should take to the familiar and the new. Newcomers won't know the difference and will enjoy the variety.

Gordon, on vocals, acoustic and electric guitar, piano, banjo and harmonica, is supported by Sandy Horse on backup vocals and bass; Scott merritt on electric guitar and keyboards; Peter Von Althen on drums and percussion; Dennis Rondeau on double bass; Evan Gordon on organ, Marion Linton on violin and Katherine Thompson on cello.

Track List:

All songs written by James Gordon.


Copyright © 1998-2015 Kevin & Maxine’s Celtic & Folk Music CD Reviews. All rights reserved.

Ownership, copyright and title of this folk music CD review belongs to me, Kevin McCarthy. Ownership, copyright and title are not transferable or assignable to you or other parties regardless of how or if you or other parties use, copy, save, backup, store, retrieve, transmit, display, publish, modify or share the CD review in whole or in part. Please read the "Terms, Conditions and Disclaimer" section on my web site for additional information about using, quoting, or reprinting this CD review.

Send inquiries to: send me an email message.

Return to Kevin and Maxine’s Celtic & Folk Music CD Reviews home page.

To return to the last web page you visited, click the "Back" button that appears immediately below: