A Review of the CD
"The Honey On The Mountain"
by Rob Laurens

"The Honey On The Mountain"
by Rob Laurens

Copyright 1999 - AL 399-002
Attic Light Productions
20 Chandler Street #2
Somerville, MA 02144
ph: (617)-776-3068

This review is written by Kevin McCarthy, 7/99
"Kevin and Maxine’s Celtic & Folk Music CD Reviews"
send me an email message

Carefully crafted and aged like the best of fine wines, the songs on Rob Laurens' debut CD gently meander back and forth between the sound and feel of traditional folk and contemporary folk music. The combination of his warm, inviting voice and stylistic versatility have produced a captivating collection of crisp, clean compositions presented with the aplomb of a grizzled veteran.

Produced by Ellis Paul, this release is a remarkable achievement, especially for an initial offering. Laurens sounds like he's been doing this for years and, in fact, he has been meticulously honing his art for some time, crisscrossing the country in a painstaking effort to root out and absorb folk music's kaleidoscope of elements.

His efforts have handsomely paid off for this is a superb release that should be shining near the top of everyone's Best of 1999 lists. Yes, it is that good.

Laurens opens with "Cotton-eyed Joe," a sweetly pensive ballad about human reactions and emotional connections woven together in the face of a disastrous event. Basking in a smooth, flowing rhythm and backed primarily by fiddle, organ and harmonica, this lead cut will secure the attention of even the most blase listener.

"As I Was Walking Out Late This Evening" features subject matter akin to British traditional folk or celtic material--regret over the abandonment of love. Backed by Don Conoscenti on lap steel guitar, Laurens' rueful vocals and high-string acoustic guitar work exceptionally capture the mood of this elegy.

"Wondering How You Are" may very well prove to be Laurens' signature song. Featuring two recent college graduates traveling across the country to begin life anew, he sings:

Razor-like in capturing the gnawing ache of hollowness, the compensatory cover-up and the resulting emotional blindness, he continues: Abetted by hard-earned wisdom, he retrospectively views the relationship and closes with: The intense but delicate honesty portrayed here will strike an emotional chord with anyone who has ever experienced periods of apparent inescapable bleakness, times where seemingly nothing and nobody can help.

Simply featuring Laurens on vocals and resophonic steel guitar, "Daniel in the Lion's Den" is reminiscent of a old spiritual. The repeated usage of the clipped line "Daniel gone away" and Laurens' guitar play facilitate the old-time feel of this tune.

The authentic sounding, "The Fields of Kingdom Come" is a Laurens Civil War composition that could easily have been written in the 1860s. With Laura Risk on fiddle and Laurens again on resophonic steel guitar, he sings of getting caught up in the fervor of defending the homeland against General Sherman ravaging through Georgia:

After righteously joining the Confederate forces in battle against Union soldiers and then seeing his preacher slay a youthful unarmed Yank pleading for mercy, he experiences a visceral about-face: "The Honey On the Mountain" is a heartfelt song about discovery. Laurens speaks of his grandfather: Laurens then sings of his own restlessness and travels across the country searching for "the honey on the mountain and the wind upon the sea." He closes with: The last "official" cut is the philosophical "The Blue of the Road," a talking-more-than-singing poem dedicated to the sometimes hidden but wonderful effects of "that pre-dawn blue of asphalt" Laurens calls "the blue of the road." He says: Laurens has also playfully added a hidden track--he and Ellis Paul performing a version of Woody Guthrie's "Pretty Boy Floyd."

This is no precocious, flash-in-the-pan performer. He waited until he felt he was ready for this almost 65-minute release and, boy, was he ever correct in his timing. Let's just hope it isn't too much longer before the seeds of his sophomore effort are sown.

Laurens on vocals, resophonic steel guitar, high-string acoustic and resophonic guitar, hollow-body electric guitar and harmonica is assisted by Jackson Cannon on acoustic and electric bass; Paul Antoniades on drums; Don Conoscenti on drums, percussion, electric guitar and lap steel guitar; Laura Risk on fiddle; Tom West on Hammond B-3; Sparrow Snow on piano and backup vocals, Fender Rhodes, hollow-body electric guitar and accordion; Ellis Paul on high-string acoustic guitar, trumpet and backup vocals; Steve Faria on trumpet and Josh Pawelek on drums and percussion. Lucy Kaplansky, Keith Greeninger, Richard Shindell, Tom Eaton, Matt Smith, Christopher Williams and others provided harmony and backup vocals.

Track List:

All songs written by Rob Laurens.

Copyright © 1998-2015 Kevin & Maxine’s Celtic & Folk Music CD Reviews. All rights reserved.

Ownership, copyright and title of this folk music CD review belongs to me, Kevin McCarthy. Ownership, copyright and title are not transferable or assignable to you or other parties regardless of how or if you or other parties use, copy, save, backup, store, retrieve, transmit, display, publish, modify or share the CD review in whole or in part. Please read the "Terms, Conditions and Disclaimer" section on my web site for additional information about using, quoting, or reprinting this CD review.

Send inquiries to: send me an email message.

Return to Kevin and Maxine’s Celtic & Folk Music CD Reviews home page.

To return to the last web page you visited, click the "Back" button that appears immediately below: