A Review of the Bob Davenport CD
"The Common Stone"
"The Common Stone"Topic Records TSCD552
by Bob Davenport
Copyright Topic Records Ltd, 2004.http://www.topicrecords.co.uk
This review was originally written by Dai Woosnam, email@example.com, 10/04
It is now 39 winters ago that I first saw Bob Davenport perform
live. It was in the unlikely setting of London's Royal Festival Hall.
It was a star-studded charity folk line-up. Quite what the
charity/cause was, and who was on the bill exactly, I have now
forgotten: but I do recall that two singers blew me away. One was the
late Matt McGinn: the other was Bob.
Alas McGinn was to die somewhat tragically, years before his time. So I
never had the same opportunity I had with Bob: viz. to regularly attend
his gigs down the years. But that said, it has now been a few years
even since I last saw Bob perform, so it was nice to catch up with this
And what a nice album it is. Now, “nice” is not the word I would ever
have thought I'd apply to the Bob Davenport of 1965-66. In those days
he was a FORCE OF NATURE. His amazing voice rang around the RFH to such
an extent that one knew that if the sound system failed, there would be
no problem in him getting heard.
But now the man is 71. And whilst the political fire still burns within
him, and whilst his vocal timbre is still in fine fettle, it is clear
that the same voice has lost a little of the sheer physical energy that
was once its hallmark. And that is no criticism: heavens, there would
be something wrong with him if it DIDN'T.
And interestingly, this physical fact has changed the nature of the
performance. Whereas his turbo-charged albums of old had often left him
open to the (misguided) charge of being a wild ranter, now his more
subdued approach lends a subtly reflective quality to his material.
And what fine material he has here: and what fine assistants to help
record it. Not satisfied with just CBS and the Watersons,
(“just”? Ha!) he also ropes in Chumbawamba, both Linda and
Richard Thompson, John Tams and Fi Fraser.
Every track succeeded bar one quite why he wanted to set Blake's
“Jerusalem” to a tune other than Sir Hubert Parry's magnificent
setting, is utterly bewildering and some succeeded more than I
could have imagined.
The Brecht/Weill “Alabama Song” delivered in a way that the song often
can deliver for me: however it was the setting by Bob of a Brecht poem
(one previously unfamiliar to me) that jointly proved the most moving
moment on the album. “Song Of A German Mother”.
I defy you not to get a frisson from it. But note that I said
“jointly”: for there is one other contribution (also unknown to me)
that brought a lump to the throat.
I refer to “I Wish You Were Here Again”, written by Sir Harry Lauder
after his only son was killed in the Great War. Now, I have always
loved Sir Harry's singing of joyous songs like “Roaming In The
Gloaming” and “Keep Right On To The End Of The Road”, but this side of
him I did not know.
Thanks Bob for educating me. This fine song immediately made me think
of Kipling and the aching loss he felt at the death of his son John (an
“only son” also), and I can imagine it must have brought real comfort
to the thousands of British parents so-afflicted in that 4 year
This is an album I might well have bought had I not been sent this
review copy. And I don't say that as often as I would like to say it.
Buy it from www.topicrecords.co.uk
- Davenport's Cakewalk (R.Thompson) 1.32
- 2. Song of the Other Ranks (E.Jones/Bob Davenport) 1.58
- Those Men We See (Bob Davenport) 1.53
- Jerusalem (W.Blake, arr. Bob Davenport) 1.16
- Jockey to the Fair (Trad, arr. M.Carthy) 3.29
- Wealthy Squire (Trad. arr Bob Davenport, N.Waterson) 2.09
- Bottle Bank (Bob Davenport; trad arr. Bob Davenport) 0.28
- She Moved Through The Fair (Trad, arr. Colum) 1.57
- You Are My Sunshine (J.Davis) 2.48
- The Cuckoo (Trad. arr. Bob Davenport) 1.34
- Trust No Man (Anon) - 0.54
- Heart Like a Wheel (A. McGarrigle) 1.58
- Song of a German Mother (B. Brecht) 1.51
- The Drum (arr. Bob Davenport) 0.50
- The Dawning of the Day (Trad. arr M.Carthy) 1.17
- Down by the Glenside (Trad. arr. Bob Davenport) 2.06
- Police Patrol (Bob Davenport) 1.45
- The Sergeant's Returned (Bob Davenport) /Kiss Me Goodnight Sergeant Major (Noel, Pelosi) 1.40
- You Came back Down that Long Road (Bob Davenport) 1.54
- The Colour (T.Hardy, arr. Bob Davenport) 1.27
- Wild, Wild Whiskey (Bob Davenport) 3.02
- Alabama Song (B.Brecht/K.Weill) 4.05
- Wild Rover (Trad. arr. Bob Davenport) 1.54
- I am a Rover (Trad. arr Bob Davenport, M.Carthy, N.Waterson) 4.25
- I Wish You Were Here Again (H.Lauder) 1.47
- Davenport's Retreat (R.Thompson) 1.32
Copyright © 1998-2015 Kevin & Maxine’s Celtic & Folk Music CD Reviews. All rights reserved.
Ownership, copyright and title of this UK folk music CD review belongs
to Dai Woosnam.
Ownership, copyright and title are not transferable or assignable to you
or other parties regardless of how or if you or other parties use, copy,
save, backup, store, retrieve, transmit, display, publish, modify or share
the CD review in whole or in part. Please read the "Terms,
Conditions and Disclaimer" section on my web site for additional
information about using, quoting, or reprinting this CD review.
Return to Kevin and Maxine’s Celtic & Folk
Music CD Reviews home page.
To return to the last web page you visited, click the "Back"
button that appears immediately below: