A Review of the Mick West CD
"A Poor Man's Labour"
"A Poor Man's Labour"(Claytara Music CLCD042)
by Mick West
Copyright: Claytara Music, Edinburgh 2004.
This review was originally written by Dai Woosnam, firstname.lastname@example.org, 8/04
I have never seen Mick West in live performance. That is clearly my loss.
For here with his third album he has come up with a seriously good
piece of work that can stand comparison with the albums recently issued
by the Bob Foxes and the Keith Kendricks.
Most of the tracks are from the Tradition, with the occasional
contemporary song thrown in. And a particularly eyebrow-raising (at
first) juxtapositioning of Ewan McVicar's “Shift and Spin” with Rodgers
and Hart's “My Funny Valentine”, (which by the way you chaps at
Claytara Music, has the great man's name misspelled in the liner notes,
with the “d” missing from RR's surname). Despite both these songs
seeming curious bedfellows, the segue from one to the other works fine.
And the more you think of the lyrics of the former, somehow you realise
that the songs are not “opposites” at all, but two sides of the same
There is not a weak track on this CD. West's fine voice is augmented by
some lovely understated harmonies by Karine Polwart, and both are
bolstered by some wonderfully assured instrumental work from Stevie
Lawrence, Frank McLaughlin and Fraser Fifield (FF also recorded, mixed,
mastered and produced).
Stevie Lawrence (whose work I have reviewed in the past) is a very
considerable musician indeed. He has stayed on my radar these past few
years. But Frank McLaughlin had not. How pleased I am to see he is
still alive and apparently thriving.
It must be over a decade ago since I spoke face-to-face with Frank. He
had just blown me away in a duo with a very pretty girl called Gillian
MacDonald. They were called “The Vital Spark”. Nice to know he hasn't
And Fifield (no mean musician in his own right) has produced a lovely
clean sound. But even if Mick West had been produced by someone
suffering from a cloth ear and a distinct lack of contact with reality,
he STILL would have come up trumps with that fabulous voice of his. He
has a spectacularly unadulterated Scots accent, but despite this
(“despite”? ... maybe BECAUSE of this!) the clarity of his diction is
never in doubt. My favourite track was track 8, a song from the pen of
Alistair Hulett (sorry chaps, another spelling howler! Not “Alasdair
Sadly, the CD is diminished not so much by these piffling spelling
errors, as by a lack of proper liner notes. Come on Claytara! You have
a fine product here: don't cut corners at the last minute. How I would
have loved some notes on the songs: okay, these are VERY familiar songs
and I guess that Claytara reckoned that there was not a lot new to say
Perhaps they are right.
But at least we could have been told why Mick West picked what he picked.
Please put things right for your fourth album Mick. And a fourth album there assuredly will be.
A quality performer.
- Wild Rover (4.35)
- He called for a candle (2.48)
- Ramblin Irishman (4.32)
- T'was a for our rightfu' King (4.20)
- Shift and Spin/Funny Valentine (5.22)
- Rantin Rovin Robin (4.36)
- Old Arbo (4.22)
- Prody dogs and papes (4.00)
- Jamie Raeburn/Last Chicken in Tesco's (3.35)
- Time wear's awa (3.19)
- Good friends and companions (4.25)
- I was a young man (3.35)
Copyright © 1998-2015 Kevin & Maxine’s Celtic & Folk Music CD Reviews. All rights reserved.
Ownership, copyright and title of this UK folk music CD review belongs
to Dai Woosnam.
Ownership, copyright and title are not transferable or assignable to you
or other parties regardless of how or if you or other parties use, copy,
save, backup, store, retrieve, transmit, display, publish, modify or share
the CD review in whole or in part. Please read the "Terms,
Conditions and Disclaimer" section on my web site for additional
information about using, quoting, or reprinting this CD review.
Return to Kevin and Maxine’s Celtic & Folk
Music CD Reviews home page.
To return to the last web page you visited, click the "Back"
button that appears immediately below: